About zonation

Zonation in art

Zonation is a unique approach to painting that combines both abstract and figurative elements. It was inspired by the works of artist Paul Cézanne, who is often regarded as a pioneer of modern art. Cézanne's philosophy emphasized capturing the essence of nature and objects in a way that allowed them to resonate with viewers. This essay explores the concept of zonation, its origins, and its significance in contemporary art.

Zonation painting emerged from the desire to integrate and balance four essential elements: lines, tones, colors, and emotions. This style reflects the artist's journey to convey beauty and aesthetics through a harmonious blend of these components. Influenced by the works of Cézanne and other masters, such as Paul Klee, zonation aims to create a visual language that speaks to the viewer on multiple levels.

The term "zonation" was coined by Hans Jørgen Henriksen, who began exploring this style in the early 2000s. His artwork often draws inspiration from urban landscapes, particularly from cities like Copenhagen and regions such as Lanzarote and Tuscany. By combining techniques from figurative, abstract, and expressionist art, Henriksen allows both abstract and concrete elements to coexist within a single piece, fostering a dynamic interaction that invites deeper contemplation.

At its core, zonation painting involves a continuous process of organizing visual elements. This is achieved through the use of neo-cubistic shapes, varying brush strokes, and chromatic variations, all of which contribute to a cohesive composition. The goal is to reconcile the complexity of visual experiences while maintaining an overall unity within the artwork.

Henriksen's background as a hydrologist also influences his artistic vision. He connects the concept of zonation to the water cycle, highlighting the importance of sustainable resource management and environmental awareness. His work serves as a reflection on climate change and the human relationship with nature, aligning with global efforts to address pressing ecological issues.

Cézanne's influence is evident in Henriksen's artistic process. Cézanne believed in portraying the world as it truly is, free from distractions of the mind and emotions. He emphasized the need for artists to capture the vital intensity of their subjects while creating order from the chaos of perception. This philosophy resonates deeply with Henriksen's approach, as he seeks to blend the spontaneous with the considered in his zonation paintings.

Through his art, Henriksen not only explores personal and environmental themes but also engages with broader cultural narratives. His recent works, particularly during the COVID-19 pandemic, reflect a neo-romantic perspective that emphasizes the interconnectedness of humans and nature as well as the importance of introspection and community.

In summary, zonation painting represents a significant evolution in the art world, merging influences from historical figures like Cézanne with contemporary concerns about the environment and human experience. This innovative approach invites viewers to engage with art on a profound level, fostering a deeper understanding of both the artistic process and the world around us. By embracing complexity and uncertainty, zonation painting stands as a testament to the power of art to inspire, provoke thought, and encourage dialogue about our shared existence on this planet.

Hans Jørgen Henriksen: Psychodynamic spring and Indirect from my hearth 2007

  Read review article from Gallery&Studio April/Maj 2010: https://zonering.dk/xpdf/p-32-pdf-file.pdf

Taplinger, Maurice (2010) "Zonation" in the Art of Hans Jørgen Henriksen.

Gallery&Studio, April/May 2010. Vol. 12 No. 4. Page 22. New York. 
 

 H.J. Henriksen: Drawing 3 July 2008